Look two heads to the right of Kelli O’Hara, hovering over the female cellist in the second row of the chorus: c’est moi!
Our two performances of Victor Herbert’s Babes in Toyland took place this past week at Carnegie Hall and the Tilles Center; the reviews are in, and — by and large — they’re all great! I want to contribute my thoughts to the conversation with the chorister’s-eye-view of the experience, but it’s late on a school night, so for the moment let it suffice that I merely round up the official opinions.
Berkshire Fine Arts
Voce di Meche
“Toyland” is possibly the first song I ever learned. I’m not sure. I only know that it entered my repertoire at some time before I have memory of it doing so. I don’t remember if it was a snow globe or a music box or what it was that put it there, but that tune has been in my head for a very long time.
Which isn’t to say I ever imagined getting to sing on stage at Carnegie Hall in the company of Broadway and theater legends like Bill Irwin and Kelli O’Hara, but that’s exactly what will happen later this month when my choir, MasterVoices, presents Victor Herbert’s Babes in Toyland as part of our 75th anniversary season. Babes is a show that has remained popular since its creation in 1903, yet hasn’t had a showing in NYC in over 80 years.
Might be 80 more before you get another chance to see and hear this fun show with its iconic score, so don’t miss it!