
Look two heads to the right of Kelli O’Hara, hovering over the female cellist in the second row of the chorus: c’est moi!
Our two performances of Victor Herbert’s Babes in Toyland took place this past week at Carnegie Hall and the Tilles Center; the reviews are in, and — by and large — they’re all great! I want to contribute my thoughts to the conversation with the chorister’s-eye-view of the experience, but it’s late on a school night, so for the moment let it suffice that I merely round up the official opinions.